Nick Kaminsky (Kevin Anderson, Sleeping with the Enemy), a young architecture professor, leaves his current home in upstate New York to visit his terminally ill biological mother Lillian (Kim Novak, Vertigo) in small town Illinois. Nick’s college friend Paul (Bill Pullman, Lost Highway) is in the process of preparing to demolish an aging department store building in town that was the site of a violent crime years prior, which Nick intends to study the architecture of before he leaves town. After meeting Paul’s wife Jane (Pamela Gidley, Twin Peaks), who he is immediately attracted to, Nick starts to unravel dark secrets about his past and his family.
A labyrinthine, erotically charged neo-noir from Academy Award nominated writer and director Mike Figgis (Leaving Las Vegas), Liebestraum is a long overlooked entry in American crime cinema of the 1990s. Featuring stunning cinematography from Juan Ruiz Anchía (At Close Range), a tension building score from Figgis himself and bold production design from frequent Figgis collaborator Waldemar Kalinowski (Leaving Las Vegas, Internal Affairs). Cinématographe is proud to present Mike Figgis’s early 90s psychological thriller, in its uncensored director’s cut, in a new 2K restoration from its original negatives for its world blu-ray debut.
directed by: Mike Figgis
starring: Kevin Anderson, Pamela Gidley, Bill Pullman, Kim Novak
1991 / 112 min / 1.85:1 / English DTS-HD MA 2.0
Additional info:
Region A Blu-ray
New audio commentary with writer/director/composer Mike Figgis, moderated by Cinématographe's Justin LaLiberty
New audio commentary with film noir historians Alain Silver and Christopher Coppola
Passion Project - a new video interview with Mike Figgis
I'll Be the Judge of That - a new video interview with film editor Martin Hunter
Every Frame is a Picture - a new video interview with production designer Waldemar Kalinowski
Liebestraum: Memories of the Past - a new video essay by film historian Alexandra Heller-Nicholas
Deleted scenes
Original theatrical trailer
New text essays by film critics Nadine Whitney, Travis Woods and Neil Young as well as a text interview with cinematographer Juan Ruiz Anchía
English SDH subtitles