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Extra Features
- 4K restoration of the film from the original camera negative by MGM, transferred in 2013 and approved by director Paul Verhoeven
- Newly commissioned artwork by Paul Shipper
- Director’s Cut and Theatrical Cut of the film on two High Definition (1080p) Blu-ray™ discs
- Original lossless stereo and four-channel mixes plus DTS-HD MA 5.1 surround sound option on both cuts
- Optional English subtitles for the deaf and hard of hearing on both cuts
- Six collector’s postcards (Limited Edition exclusive)
- Double-sided, fold-out poster (Limited Edition exclusive)
- Reversible sleeve featuring original and newly commissioned artwork (Limited Edition exclusive)
- 80-page Limited Edition collector’s booklet featuring new writing on the film by Omar Ahmed, Christopher Griffiths and Henry Blyth, a 1987 Fangoria interview with Rob Bottin, and archive publicity materials (some contents exclusive to Limited Edition)
DISC ONE – DIRECTOR’S CUT
- Archive commentary by director Paul Verhoeven, executive producer Jon Davison and co-writer Ed Neumeier (originally recorded for the Theatrical Cut and re-edited in 2014 for the Director’s Cut)
- NEW Audio commentary by film historian Paul M. Sammon
- NEW Audio commentary by fans Christopher Griffiths, Gary Smart and Eastwood Allen
- NEW The Future of Law Enforcement: Creating RoboCop, a newly filmed interview with co-writer Michael Miner (HD; 16:51)
- NEW RoboTalk, a newly filmed conversation between co-writer Ed Neumeier and filmmakers David Birke (writer of Elle) and Nick McCarthy (director of Orion Pictures’ The Prodigy) (HD; 32:08)
- NEW Truth of Character, a newly filmed interview with star Nancy Allen on her role as Lewis (HD; 18:26)
- NEW Casting Old Detroit, a newly filmed interview with casting director Julie Selzer on how the film’s ensemble cast was assembled (HD; 8:20)
- NEW Connecting the Shots, a newly filmed interview with second unit director and frequent Verhoeven collaborator Mark Goldblatt (HD; 11:06)
- NEW Analog, a new featurette focusing on the special photographic effects, including new interviews with Peter Kuran and Kevin Kutchaver (HD; 13:10)
- NEW More Man Than Machine: Composing Robocop, a new tribute to composer Basil Poledouris featuring film music experts Jeff Bond, Lukas Kendall, Daniel Schweiger and Robert Townson (HD; 12:04)
- NEW RoboProps, a newly filmed tour of super-fan Julien Dumont’s collection of original props and memorabilia (HD; 12:50)
- 2012 Q&A with the Filmmakers, a panel discussion featuring Verhoeven, Davison, Neumeier, Miner, Allen, star Peter Weller and animator Phil Tippett (HD; 42:37)
- RoboCop: Creating a Legend (HD; 21:10), Villains of Old Detroit (HD; 17:00) and Special Effects: Then & Now (HD; 18:21), three archive featurettes from 2007 featuring interviews with cast and crew
- Paul Verhoeven Easter Egg (HD; 0:39)
- Four deleted scenes (OCP News Conference: HD 720p; 1:17; Nun in the Street Interview: HD 720p; 0:15; Topless Pizza: HD 720p; 0:26; Final Media Break: HD 720p; 0:51)
- The Boardroom: Storyboard with Commentary by Phil Tippett (HD; 6:02)
- Director’s Cut Production Footage, raw dailies from the filming of the unrated gore scenes (unrestored HD; 11:34)
- Two theatrical trailers and three TV spots (unrestored HD; trailer 1: 1:38; trailer 2: 1:23; TV spot 1: 0:31; TV spot 2: 1:02; TV spot 3: 0:31)
- Extensive image galleries (chapter breaks; Production stills: 1:48; Behind the scenes: 1:23; Poster and video art: 0:55)
DISC TWO – THEATRICAL CUT
- Archive commentary by director Paul Verhoeven, executive producer Jon Davison and co-writer Ed Neumeier (originally recorded for Theatrical version of the film)
- Two Isolated Score tracks (Composer’s Original Mix and Final Theatrical Mix) in lossless stereo
- Edited-for-television version of the film, featuring alternate dubs, takes and edits of several scenes (SD; 1:35:16)
- Split screen comparisons between the Director’s Cut and Theatrical Cut (HD; 4:02), and the Theatrical Cut and edited-for-TV version (HD; 20:16)
- Robocop: Edited For Television, a compilation of alternate scenes from two edited-for-television versions, including outtakes newly transferred in HD from recently-unearthed 35mm elements (HD; 18:35)
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